Walking Through Silence: A Son’s Journey to Auschwitz in 2025

The name Auschwitz is the German version of the Polish town Oświęcim, located about 40 miles (64 km) west of Kraków. After Germany invaded Poland in 1939, the region was annexed into the Third Reich.

In 1940, Nazi Germany established a concentration camp on the outskirts of Oświęcim, known today as Auschwitz I, or the Main Camp. In 1941, they began building a much larger killing center two miles away in the village of Brzezinka, renamed Birkenau. This site — Auschwitz II — became the heart of the extermination process.

That is the geography and the history. But what I found when I arrived went far beyond what books and maps can convey.

Despite years of studying photographs, listening to survivor testimonies, and watching documentaries, nothing prepared me for Auschwitz II–Birkenau. Not its immense scale, nor the unsettling quiet that hung over the gray May morning in 2025 when I arrived.

In September 1982, I visited Dachau with my father. He had been imprisoned at HASAG, a Nazi forced labor camp in Częstochowa, and was later transferred through a series of camps as the Nazis evacuated prisoners westward in the final stages of the war. In 1944, he was sent from HASAG to Gross-Rosen, then to Flossenbürg, and finally to Dachau.

One of his most harrowing memories was the transfer from Flossenbürg to Dachau. Along with 500 other prisoners, he was first forced to march, then packed into freight cars “like cattle,” as he later described in a 1973 interview with the Pittsburgh Press. Only 18 of the 500 survived the journey. My father was one of them.

During our visit to Dachau in 1982, my father shared this story in German with a group of high school students. Hearing him speak about what he had endured—on the very ground where his imprisonment had ended—moved me deeply. Yet even with that experience, Birkenau struck me in ways I hadn’t expected.

Although Dachau had a gas chamber, historical evidence suggests it was never used for mass executions. It was equipped and capable—part of the same machinery of terror—but not used systematically for mass murder like the crematoria at Auschwitz-Birkenau. Most deaths at Dachau occurred through forced labor, shootings, disease, and medical experiments. Still, standing in that room with my father years ago was sobering. Even unused, the gas chamber embodied the intent of a system built on death.

His brother—my uncle—was deported to Auschwitz and survived. He was among those liberated when the Red Army arrived in January 1945. These are not just historical facts to me; they are the roots of my identity.

So I came to Auschwitz not as a historian, nor just as a photographer, but as a son and a nephew. I didn’t come seeking understanding—I don’t believe Auschwitz can be understood. I came to listen, to stand where memory persists, and to bear witness.

What struck me most wasn’t a particular building or exhibit, but the vastness of Birkenau. It spans roughly 346 acres—more than half a square mile of barracks, chimneys, tracks, and ruins. It felt like a mechanized landscape of erasure, a place where lives were reduced, processed, and obliterated. The train tracks still slice through the camp. Rows of chimneys stretch toward the forest line. The emptiness felt both infinite and suffocating. At one point, I stopped walking and heard only the gravel under my shoes and the wind moving through the wire. It was a silence not of peace, but of reverberation.

Auschwitz is one of the most visited Holocaust memorial sites in the world. In recent years, more than two million people a year have come—students, families, descendants of survivors, visitors from every corner of the globe. That fact lingered with me as I walked. I knew I was one of many, yet I felt completely alone.

During my visit, I saw two groups of Israelis. The first were students, draped respectfully in Israeli flags, walking the grounds where their history was nearly erased. The second were soldiers in uniform—quiet, focused, listening intently to their guides. They were not tourists, but heirs to a story that had nearly ended here. Their presence filled me with quiet pride and a sense of defiance. It felt like an answer—a living affirmation of survival and responsibility.

I also visited the crematorium at Auschwitz I—preserved as part of the museum—and later, the ruins of the much larger gas chambers and crematoria at Birkenau. These were the industrial centers of death.

The crematorium at Auschwitz I surprised me with its scale. It was smaller and more intimate than I had expected—but no less chilling. It was an early site of killing, later eclipsed by the vast machinery of death at Birkenau. There, the system of extermination became larger, more efficient, and partially hidden underground. Seeing the shattered remains of those later structures brought the full scope of the killing into terrifying clarity.

At Birkenau, the ruins sit in quiet collapse, half-swallowed by the earth. It’s one thing to know what happened there. It’s another to stand where it happened. The deliberate effort to erase these places—and the lives taken within them—was itself part of the crime.

I’m grateful to the many Poles who have preserved this site with care. I recognize that Auschwitz was built and operated by Germans, and that the responsibility for the Holocaust rests with them. But it would be dishonest to say I felt only gratitude. My visit stirred unease. Poland’s relationship with its Jewish past is complicated—marked by courage and complicity, remembrance and denial. Antisemitism did not begin or end with the camps. That truth is hard to ignore.

Still, I didn’t come to accuse. I came with questions. I came because I needed to be in the place where history and memory hang so heavily that even the air feels changed.

I left without answers. But I left with something else: a deeper connection to the voices that once filled this place, and a stronger sense of responsibility to keep their stories alive.

Memory alone is not enough. But without memory, nothing remains.

Panthéon, Paris

The Panthéon is a monument in the 5th arrondissement of Paris. It stands in the Latin Quarter, atop the Montagne Sainte-Geneviève, in the center of the Place du Panthéon, which was named after it. The edifice was built between 1758 and 1790, from designs by Jacques-Germain Soufflot, at the behest of King Louis XV of France; the king intended it as a church dedicated to Saint Genevieve, Paris’s patron saint, whose relics were to be housed in the church. Neither Soufflot nor Louis XV lived to see the church completed.

By the time the construction was finished, the French Revolution had started; the National Constituent Assembly voted in 1791 to transform the Church of Saint Genevieve into a mausoleum for the remains of distinguished French citizens, modeled on the Pantheon in Rome which had been used in this way since the 17th century. The first panthéonisé was Honoré Gabriel Riqueti, comte de Mirabeau, although his remains were removed from the building a few years later. The Panthéon was twice restored to church usage in the course of the 19th century—although Soufflot’s remains were transferred inside it in 1829—until the French Third Republic finally decreed the building’s exclusive use as a mausoleum in 1881. The placement of Victor Hugo’s remains in the crypt in 1885 was its first entombment in over 50 years.

The successive changes in the Panthéon’s purpose resulted in modifications of the pedimental sculptures and the capping of the dome by a cross or a flag; some of the originally existing windows were blocked up with masonry in order to give the interior a darker and more funereal atmosphere, which compromised somewhat Soufflot’s initial attempt at combining the lightness and brightness of the Gothic cathedral with classical principles. The architecture of the Panthéon is an early example of Neoclassicism, surmounted by a dome that owes some of its character to Bramante’s Tempietto.

In 1851, Léon Foucault conducted a demonstration of diurnal motion at the Panthéon by suspending a pendulum from the ceiling, a copy of which is still visible today and is depicted below in all its glory.

As of December 2021 the remains of 81 people (75 men and six women) had been transferred to the Panthéon. More than half of all the panthéonisations were made under Napoleon’s rule during the First Empire. Several examples demonstrate the great contributions France has made to the world.

Rousseau

Jean-Jacques Rousseau (1712 – 1778) was philosopher (philosophe), writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His Discourse on Inequality and The Social Contract are cornerstones in modern political and social thought.

Rousseau was born in Geneva, which was at the time a city-state and a Protestant associate of the Swiss Confederacy (now a canton of Switzerland). He died in 1778 and was buried on the Île des Peupliers, a tiny wooded island in a lake near Ermenonville in the Kingdom of France. His grave became a place of pilgrimage for his many admirers. In 1794, his remains were moved to the Panthéon, where they were placed near the remains of Voltaire.

Voltaire

François-Marie Arouet (1694 – 1778) was a French Enlightenment writer, philosopher (philosophe) and historian. Known by his nom de plume M. de Voltaire, he was famous for his wit, in addition to his criticism of Christianity—especially of the Roman Catholic Church—and of slavery. Voltaire was an advocate of freedom of speech, freedom of religion and separation of church and state.

Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays, histories, but also scientific expositions. He wrote more than 20,000 letters and 2,000 books and pamphlets. Voltaire was one of the first authors to become renowned and commercially successful internationally. He was an outspoken advocate of civil liberties and was at constant risk from the strict censorship laws of the Catholic French monarchy. His polemics witheringly satirized intolerance and religious dogma, as well as the French institutions of his day. His best-known work and magnum opus, Candide, is a novella which comments on, criticizes and ridicules many events, thinkers and philosophies of his time.

Because of his well-known criticism of the Church, which he had refused to retract before his death, Voltaire was denied a Christian burial in Paris, but friends and relations managed to bury his body secretly at the Abbey of Scellières in Champagne. His heart and brain were embalmed separately.

On July 11 1791, the National Assembly of France, regarding Voltaire as a forerunner of the French Revolution, had his remains brought back to Paris and enshrined in the Panthéon. An estimated million people attended the procession, which stretched throughout Paris. There was an elaborate ceremony, including music composed for the event by André Grétry.

Louis Braille

Louis Braille (1809 – 1852) was a French educator and the inventor of a reading and writing system, named braille after him, intended for use by visually impaired people. His system is used worldwide and remains virtually unchanged to this day. On the centenary of his death, his remains were moved to the Panthéon in Paris. In a symbolic gesture, Braille’s hands were left in Coupvray, reverently buried near his home.

Simone Veil

Simone Veil (née Jacob) (1927 – 2017) was a French magistrate, Holocaust survivor, and politician who served as Health Minister in several governments and was President of the European Parliament from 1979 to 1982, the first woman to hold that office. As health minister, she is best remembered for advancing women’s rights in France, in particular for the 1975 law that legalized abortion, today known as the Loi Veil). From 1998 to 2007, she was a member of the Constitutional Council, France’s highest legal authority.

A Holocaust survivor, of both Auschwitz-Birkenau and Bergen-Belsen, she was a firm believer in European integration as a way of guaranteeing peace. She served as president of the Fondation pour la Mémoire de la Shoah, from 2000 to 2007, then subsequently as honorary president. In a ceremony held at the Panthéon in January 2007, former French president Jacques Chirac, and Simone Veil, then president of the Fondation pour la mémoire de la Shoah, honor those who risked their lives to shelter thousands of Jews at Chambon-sur-Lignon, France.

Among many honors, she was made an honorary dame in 1998, was elected to the Académie Française in 2008, and in 2012 received the grand cross of the Légion d’honneur, the highest class of the highest French order of merit.

Simone Veil and her husband were buried at the Panthéon on July 1, 2018. Her eulogy was given by President Emmanuel Macron.

Joséphine Baker

Joséphine Baker (1906-1975), was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in her adopted France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

Baker was born in St. Louis, Missouri but she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She raised her children in France.

Baker aided the French Resistance during World War II. After the war, she was awarded the Resistance Medal by the French Committee of National Liberation, the Croix de Guerre by the French military, and was named a Chevalier of the Légion d’honneur by General Charles de Gaulle. Baker sang: “I have two loves, my country and Paris.”

Baker refused to perform for segregated audiences in the United States and is noted for her contributions to the civil rights movement.

On November 30, 2021, she was inducted into the Panthéon in Paris, the first black woman to receive one of the highest honors in France. As her resting place remains in Monaco Cemetery, a cenotaph (a monument to someone buried elsewhere) was installed in vault 13 of the crypt in the Panthéon.


Sources: Wikipedia – Panthéon and the articles of those inducted into the Panthéon | Panthéon – Official Site | The New York Times | Paris Tourist Office | Fondation pour la Mémoire de la Shoah