A space for reflection
Before this trip, I had never heard of Queenstown.
That almost feels embarrassing to admit now.
The first time I saw it — the mountains rising sharply from Lake Wakatipu, the impossible green of the landscape, the clarity of the air — my jaw literally dropped. Not metaphorically. I stood still.
Some places impress you.
Some rearrange you.
Queenstown rearranged me.
Robert Clary, a French-born survivor of Nazi concentration camps who later played a feisty prisoner of war in the unlikely 1960s sitcom Hogan’s Heroes, died on November 16, 2022, at his home in Beverly Hills, California. He was 96.
Clary was the last surviving original cast member of the series, which also starred Bob Crane, Richard Dawson, Larry Hovis, and Ivan Dixon as the Allied prisoners. Their captors were portrayed by Werner Klemperer and John Banner, both European Jews who had fled Nazi persecution before the war.
For decades, Clary said nothing publicly about his wartime experience. That changed in 1980, when he decided to speak out after seeing Holocaust deniers attempt to diminish or erase the truth of Nazi crimes. His silence broke with painful clarity: twelve members of his immediate family — his parents and ten siblings — had been murdered. Clary himself was deported to Buchenwald, where he was liberated on April 11, 1945. He was the only member of his family to survive.
Beyond his acting career, Clary committed himself to Holocaust remembrance. Beginning in 1980, he spoke at high schools and community groups, participated in survivor gatherings in Jerusalem, volunteered with the Museum of Tolerance, and became deeply involved with the USC Shoah Foundation. He was among the first 100 survivors interviewed for their archive and later conducted 75 interviews himself, ensuring that others’ stories would be preserved.
Hogan’s Heroes aired on CBS from 1965 to 1971, running for six seasons and 168 episodes. It remains the longest-running American sitcom set against the backdrop of World War II.
Unrealistic as it was, I loved the show. It made me laugh then, and it still makes me laugh today. The series is available on Amazon Prime.
From Numbers to Names is a website created by Daniel Patt, a software engineer at Google, that uses artificial intelligence to help identify Holocaust victims and survivors in historical photographs. The platform searches through roughly 500,000 images from institutions such as Yad Vashem — The World Holocaust Remembrance Center and the United States Holocaust Memorial Museum.
Visitors can upload a photograph of a Holocaust victim or survivor, and the site’s facial recognition technology will compare it to its vast archives, returning the ten most likely matches.
Patt’s motivation is deeply personal: all four of his grandparents were Holocaust survivors from Poland. His initial goal was to help his grandmother recover photographs of her family members who were murdered during the Holocaust. When the war began, she was nine years old and fled her hometown of Zamość with her father and siblings. Her mother — Patt’s great-grandmother — remained behind and was shot and killed during the Nazi invasion. Later, her brother was killed when he attempted to return to rescue her. The rest of the family survived and eventually emigrated to New York City after the war.
Sources: The Times of Israel (2024) | The Times of Israel (2022) | The Washington Post | National Public Radio | ABC The View | Photo Detective Podcast Episode 205
Singer Helen Reddy, born in Melbourne, Australia in 1941, died in Los Angeles on September 29, 2020, at the age of 78.
Her first hit came in 1971 with a cover of “I Don’t Know How to Love Him” from Jesus Christ Superstar. It remains my absolute favorite of her songs — tender, emotional, and beautifully sung. A year later, she released what would become her signature anthem: “I Am Woman.” It reached number one on the Billboard Hot 100 in December 1972. Reddy was the first Australian-born artist to top that chart — and the first to win a Grammy.
I’ve always loved Helen Reddy’s music. Her voice was strong and expressive, and her songs made an impression that lasted. “I Am Woman” was more than a hit — it was a declaration of presence and power, especially at a time when those words carried weight.
Reddy’s life wasn’t easy. She had a kidney removed at 17 and lived with Addison’s disease. Still, she built a career that was both groundbreaking and lasting, and her music continues to resonate.
The residence of the United States Ambassador to Paris is at 41 rue du Faubourg Saint-Honoré in the 8th arrondissement. It is known as the Hôtel de Pontalba. It was built by Louis Visconti for the New Orleans–born Baroness Micaela Almonester de Pontalba between 1842 and 1855. Edmond James de Rothschild acquired the building in 1876.
During the German occupation of France, the mansion, then owned by Baron Maurice de Rothschild, was requisitioned as an officers’ club for the Luftwaffe. After the war, it was rented out to the British Royal Air Force Club, and then to the United States.
In 1948, the American government purchased the building, primarily for the United States Information Service. These offices were moved to the Hôtel Talleyrand as restoration was completed in 1971 during the tenure of Ambassador Arthur K. Watson. The building then became the official residence of the ambassador. This magnificent structure has only been the Ambassador’s residence for a little more than fifty years.
Kellner, a court official in the small town of Laubach, had no special access to inside information. Yet he was repulsed by the Nazi regime and began keeping a detailed diary, recording what he read in the German press and what he heard from those around him. He hoped his writings would serve as a warning to future generations against blind faith and dictatorship.
Ullrich explains that Kellner’s diaries “show that it was entirely possible for normal people in small-town Germany to see through the lies of Nazi propaganda and learn of things like the ‘euthanasia’ murders of patients in psychiatric institutions and the mass executions carried out in occupied parts of eastern Europe.”
Scott Kelby demonstrates a quick, effective way to eliminate the white glows that sometimes appear around the edges of objects in Photoshop. It’s a simple technique, but incredibly useful—and, as always, Kelby explains it with clarity and ease.
The sheer volume of passengers moving through Shibuya Station is remarkable. With its M-shaped roof spanning a 12-meter-wide platform and no columns in sight, the space feels open and fluid. Watching the endless flow of commuters was like seeing something carefully choreographed, yet it unfolded entirely naturally. Modern, clean, and quiet, the station says a great deal about Japanese culture—orderly, considerate, and deeply efficient—in the best possible way.
I’ve had the pleasure of visiting Berlin twice. The first time was in the early 1980s and the second time in 2018. The transformation was dramatic.
I visited Berlin in the early 1980s. Berlin was then a divided city. I stayed in the Western zone near the Kurfurstendamm, which at the time was the heart of Berlin. I took a one day bus tour to the East. We crossed through Checkpoint Charlie. The bus was thoroughly searched by East German border guards. In contrast, the American military just let us pass freely.
The West was vibrant with shops, restaurants and people everywhere, In contrast, buildings in the East still showed signs of the bombing it received in the war. There were Soviet style memorials throughout East Berlin.
Our East German guide was openly dispirited and seemed to be reciting a script he was told to speak, especially when he spoke of “warm relations” with the then Soviet Union. At the end of the day, I was glad to be back in the West where I felt free and comfortable.